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The monks choir
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A royal request
In 1296 Abbot Stephen of Roche received a
copy of the royal mandate requesting that the community celebrate
the
obsequies
of the kings brother, Edmund:
...we earnestly require and ask your friendship now that
we are solemnly and with devotion celebrating the obsequies
of our said brother, that you commend his soul to the most
High God, with singing of masses and other aids of devout
prayers, specially enjoining the same upon all the religious
under your charge. (4)
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The monks choir was screened off from
the aisles and separated from the presbytery by two steps. The
monks
occupied inward-facing stalls, and in the later years of the abbey
the seats were comparable to those in a minster, i.e. the carved
wooden seats were arranged in tiered rows. The
choir at Roche accommodated some sixty monks when the community
reached its peak, but at the Dissolution in 1538 there were only
fourteen monks and four novices. Whereas visiting Cistercians were
fully integrated and took their accustomed place in the host choir,
those who were unable to complete the daily round of worship, namely,
the sick, the bloodlet, the elderly, and perhaps also novices,
occupied the retrochoir
that was, significantly, behind the monks choir and separated
by a screen, the pulpitum. During the day the monks accessed their
choir from the cloister, but at night-time they used stairs that
led from their dormitory. Processions entered through the centre
door in the West façade and left by the door leading to
the cloister.
The monks occupied their choir for corporate
worship when attendance was obligatory. This was not always observed,
and in 1361 the monks of Roche were accused of negligence in celebrating
the Canonical Hours. The
monks also took their place in choir for ceremonies and rituals that
demanded a full communal turn-out, such as, funerals, installations,
the profession of novices,
unction of the sick, (5) and the obsequies
of the dead.
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